Grace Park, violinist

Praised by the San Francisco Chronicle as being “fresh, different and exhilarating” and Strings Magazine as “intensely wrought and burnished“, violinist Grace Park captivates audiences with her artistry, passion and virtuosity. Winner of the Naumburg International Violin Competition, she is one of the leading artists of her generation.

Ms. Park has made her most recent solo debuts at Colorado Music Festival, Bard Festival under the baton of Leon Botstein, Stern Auditorium at Carnegie Hall with the New York Youth Symphony, The Rudolfinum/Dvorak Hall in Prague with Prague Philharmonia, and recital debuts at Krannert Center, Beethoven Minnesota Festival and Merkin Hall.

Future collaborations include her solo debuts at Seoul Arts Center with Les Musiciens du Louvre with Marc Minkowski, Sarasota Orchestra with Peter Oundjian, Orlando Philharmonic with Eric Jacobsen, along with chamber music debuts at the Savannah Music Festival and Camerata Pacifica.
Ms. Park recorded her debut solo album with the Prague Philharmonia and their music director, Emmanuel Villaume, which will include concertos and solo works of Mozart and Dvorak. It is set to be released in the spring of 2025.

A devoted and passionate educator, Ms. Park is an alumna of Carnegie Hall’s Ensemble Connect and has taught masterclasses and coached at Conservatorio de Musica de Cartagena, Mannes School of Music, University of North Carolina, University of Mississippi, Washington and Lee University, North Dakota State University, Skidmore College, among others. She currently teaches as adjunct professor at the John J. Cali School of Music at Montclair State University.

A native of Los Angeles, California, Ms. Park began violin at the age of 5 as a student at the Colburn School of Music. She continued her studies at Colburn Conservatory and New England Conservatory for her Bachelor and Master of Music degrees. Principal teachers are Donald Weilerstein, Miriam Fried, Sylvia Rosenberg, and Robert Lipsett. She now resides in New York City.

She performs on a 1717 Giuseppe Filius Andrea Guarneri on loan from an anonymous sponsor.